Have you ever heard of antidance literature? Did you know that until 2017 it was illegal to social dance in a New York facility serving food and drinks without a special cabaret license? This talk discusses dance in contexts of oppression and its subversion, along with the role of dance in healing from human rights abuses. It demonstrates how dance has consistently been used, at different periods in history and in many parts of the world, to advance strict adherence to certain ideologies, or shame and humiliate, as well as express resistance to repressive regimes, and to heal and empower victims of injustice. Indeed, it reveals that dance, because of its power to unite people, and associations with the body, sensuality and joy, has proven a focal point in attempts to control human behavior, as indicated by attempts to regulate dancing through laws and bans, and to censure, imprison or torture people who dance.
Biography
Naomi M. Jackson, Ph.D. is an Associate Professor in the School of Music, Dance and Theatre at Arizona State University. Her books include: Dance, Human Rights, and Social Justice: Dignity in Motion (co-edited with Toni Shapiro-Phim, Scarecrow Press), Right to Dance: Dancing for Rights(Banff Centre Press), and Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y (Wesleyan University Press). She has spearheaded two international conferences, including one on dance and human rights, and one on dance and Jewishness. Originally from Halifax, Nova Scotia, she now enjoys the Arizona sun.
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